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The Closer Look
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How To Introduce A Character
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Why Rises Is The Weakest — The Dark Knight Trilogy
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Why Joker 2 Is A Terrible Musical
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The Writing Trap That Spoiled Beetlejuice 2
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How To Write Better Chemistry
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How Hancock Betrayed Its Audience
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How To Write A Hateable Villain
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Why Deadpool’s Marketing Is Pure Genius
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How Not To Steal Star Wars — Rebel Moon
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When The Ending Leaves You Terrified — One Last Scene
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You're Writing Themes Wrong
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Why The Jurassic Park Sequels Were Worse
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How To Save Star Wars
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In Defence Of Pure Evil Villains
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The Problem With Rotten Tomatoes
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When Good Shows Go Bad — The Mandalorian
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Why People Hate Avatar: A Lesson In Lazy Commentary
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Why Disloyal Adaptations Are Better — The Last of Us
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How Bad Dialogue Ruined Thor 4
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How To Make Boring Characters — Rings of Power
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How To Fail At Magic — Dr Strange 2
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I made a mistake
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How To Write A Terrifying Villain — The Boys
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Why We Love A Darker Batman
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How To Write Great Magic — No Way Home, Harry Potter & G
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How To Ruin A Boba — The Book of Boba Fett
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Dear Marvel, Stop Trying To End The World
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How To Kill A Legacy — Matrix Resurrections
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How To Make A Boring Villain — No Time To Die
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How To Make A Great Pilot — Squid Game
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The Hidden Genius Of Cyberpunk 2077's World — How To Do
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How DC Learned Its Lesson — The Suicide Squad
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How To Waste A Villain - Black Widow
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Snyder’s Batman Is Terrible (And Here’s Why)
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How To Harm Your Audience - Wonder Woman 1984
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Tenet - The Best Kind Of Failure
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How To Divide A Fanbase - The Last of Us 2
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Star Wars - How To Kill A Franchise
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How To Fail At Character - The Rise of Skywalker
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How To Do A Plot Twist - Knives Out
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How To Do A Fight Scene
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How To Fail At Adaptation - The Witcher
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The Terrible Problem With Skyrim's Magic (And Why Death
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How To Make Spider-Man Boring - Far From Home
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How To Make A Video Essay
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Avengers Endgame - How To Waste A Climax
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Why George RR Martin Is Wrong - (A Defence Of Video Games)
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How To Bore Your Audience - Holmes and Watson
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